Tue, Sep 17 2024The Three Chimneys in Sant Adrià del Besòs. Photo © Manifesta 15 Barcelona Metropolitana / Arnau Rovira.
Max Andrews from Latitudes (a frieze Contributing Writer) and Angel Lambo (Associate Editor of frieze) shared six highlights of Manifesta 15 for frieze.com
The 2024 edition of the roving biennial spans 12 cities in and around the Barcelona Metropolitan area, making it one of the most ambitious in scale and reach. However, while its extensive geographical footprint is impressive, questions remain about whether the quality of the exhibitions lives up to its ambitious scope. A hotly debated topic during the opening days was whether the venues’ varying sizes complemented or engulfed the works on display, as is the example of the Tres Xemeneies (Three Chimneys), the colossal former thermal power station by the Besòs river. With over 90 participants and a wide array of interventions, events, and talks, an additional challenge lies in ensuring a cohesive experience across all locations.
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RELATED CONTENT:
- Other writing on Latitudes’ website.
- Reviews, opinions, profiles and interviews published in frieze magazine.
- 20th and concluding dispatch of “Incidents (of Travel)” from Barcelona, Spain, 26 Oct 2022
- Compositions 2015, five city-wide commissions conceived for the first Barcelona Gallery Weekend, various locations, Barcelona, 1–4 October 2015
- Compositions 2016, five city-wide commissions conceived for the first Barcelona Gallery Weekend, various locations, Barcelona, 29 September–2 October 2016
2024, Barcelona, biennale, Frieze, Manifesta, Max Andrews, review
Mon, Jul 1 2024
The July–August 2024 monthly Cover Story “” is now up on our homepage: www.lttds.org (after August 2024 this story will be archived here).
“Summer is here and the Cover Story for July and August features Rosa Tharrats’ “AVOC IVIDRAM” (2024), a work that veiled the exterior of Bombon Projects during the opening of her exhibition “Refugia” earlier this year. This show is the focus of Max Andrews’s first contribution to Artforum magazine, appearing in the summer issue.” → Continue reading
Cover Stories are published monthly on Latitudes’ homepage featuring past, present, or forthcoming projects, research, texts, artworks, exhibitions, films, objects, or field trips related to our curatorial projects and activities.
→ RELATED CONTENTS:
- Archive of Monthly Cover Stories Cover Story, June 2024: TERENCE GOWER—DIPLOMACY, URBANISM, URANIUM, 3 June 2024
- Cover Story, May 2024: Richard Serra & Anne Garde—Threats of Paradise, 30 Apr 2024
- Cover Story, April 2024: In Progress–Iratxe Jaio and Klaas van Gorkum, 2 April 2024
- Cover Story, March 2024: Dibbets en Palencia, 4 March 2024Cover Story, February 2024: Climate Conscious Travel to ARCOmadrid, 1 February 2024
- Cover Story, January 2024: Curating Lab 2014–Curatorial Intensive, 2 Jan 2024 Cover Story, December 2023: Ibon Aranberri, Partial View, 2 Dec 2023
- Cover Story, November 2023: Surucuá, Teque-teque, Arara: Daniel Steegmann Mangrané, 2 Nov 2023
- Cover Story, October 2023: A tree felled, a tree cut in 7, 2 October 2023
- Cover Story, September 2023: The Pilgrim in Ireland, 6 September 2023
- Cover Story, July–August 2023: Honeymoon in Valencia, 1 July 2023
2024, Artforum, Barcelona, bombon projects, cover story, Manifesta, Max Andrews, review, Rosa Tharrats, writing
Mon, Jun 3 2024
Exhibition views of “Refugia” by Rosa Tharrats, Bombon Projects, Barcelona. All photos: Roberto Ruiz.
Max Andrews’s first contribution to Artforum reviews “Refugia”, the first solo exhibition of Rosa Tharrats at Bombon Projects in Barcelona, which opened on March 20, 2024. Andrews’ review coincides with the first issue under the new editorial eye of Tina Rivers Ryan, the magazine’s recently appointed editor-in-chief.
“One could have imagined the exhibition inside as much a sanctum for a spiritual retreat for unwinding the mind/body dualism as an outré couture collection without humans, where inscrutable organic divinities dressed for auspiciousness.”
Continue reading here.
→ RELATED CONTENT:
2024, Artforum, Barcelona, bombon projects, Max Andrews, print, review, Roberto Ruiz, Rosa Tharrats
Thu, May 23 2024
(Above and below) View of Ibon Aranberri’s exhibition “Entrasaka” at ARTIUM Museoa. All photos: Latitudes.
Max Andrews reviews Ibon Aranberri’s survey exhibition “Entresaka”, the ARTIUM Museoa – Museo de Arte Contemporáneo del País Vasco in Vitoria-Gasteiz (Basque Country) for frieze magazine:
“The exhibition’s evocative title, ‘Entresaka’ (‘thinning’ in the Basque language), accounts for the show’s apparent evasiveness, evoking the forestry management practice of selectively felling individual trees in order to promote overall woodland health and diversity. The artist’s most representative and extensive projects are duly cut down as if to their stumps in order that more marginal works may be afforded more light.”
Continue reading “Ibon Aranberri’s Abiding Instincts” here.
The exhibition has been coproduced with the Museo Nacional Centro de Arte Reina Sofía in Madrid, where it was presented between November 2023 and March 2024 under the title “Vista parcial” (Partial View). It is co-curated by Manuel Borja-Villel and Beatriz Herráez.
(Above and below) Views of Ibon Aranberri’s exhibition “Vista partial (Partial View)” at the Museo Nacional Centro de Arte Reina Sofía in Madrid. Photos: Latitudes.
→ RELATED CONTENT:
- “Cognitive Maps” interview between Ibon Aranberri and Peio Aguirre commissioned for UOVO #14 “Ecology, Luxury & Degradation” can be read here (pdf). Part of a 500-page issue guest-edited by Latitudes in 2007.
- Aranberri’s work “Luz de Lemóniz (Light over Lemóniz)”, 2000–2004, included in the Latitudes-curated group exhibition “Greenwashing. Environment: Perils, Promises and Perplexities” at the Fondazione Sandretto Re Rebaudengo, Turin, 2008.
- Aranberri’s “Zuloa (Ir.T. no513)”, 2004, included in the touring film programme “A Stake in the Mud, A Hole in the Reel: Land Art's Expanded Field, 1968–2008” curated by Latitudes and commissioned by the Museo Tamayo Arte Contemporáneo, Mexico City in 2008;
- Max Andrews’ review of Ibon Aranberri at the Fundació Tàpies, 2011
2023, 2024, ARTIUM, Exhibition, Frieze, Ibon Aranberri, madrid, Max Andrews, Museo Reina Sofía, review, writing
Sat, Jul 1 2023The July–August 2023 monthly Cover Story “Honeymoon in Valencia” is now up on our homepage: www.lttds.org
“In April this year, the streets of Valencia witnessed a remarkable sight: a colossal high-heeled shoe, adorned in the fashion of a Venetian gondola, paraded its way to the Bombas Gens Centre d’Art.”
→ Continue reading (after August 2023 this story will be archived here).
Cover Stories are published on a monthly basis on Latitudes’ homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.
→ RELATED CONTENTS:
- More writing by Max Andrews in frieze
- Archive of Monthly Cover Stories
- Cover Story, June 2023: Crystal Bennes futures, 1 Jun 2023
- Cover Story, May 2023: Ruth Clinton & Niamh Moriarty in Barcelona, 1 May 2023
- Cover Story, April 2023: Jerónimo Hagerman (1967–2023), 1 Apr 2023
- Cover Story, March 2023: Art, Climate and New Coalitions, 1 March 2023
- Cover Story, February 2023: Soil for Future Art Histories, 2 Feb 2023
- Cover Story, January 2023: Claudia Pagès’ ‘Gerundi Circular’, 2 Jan 2023
- Cover Story, December 2022: “The Melt Goes On Forever. David Hammons and DART Festival, 1 December 2022
- Cover Story, November 2022: Jorge Satorre’s Barcelona, 1 Nov 2022
- Cover Story, October 2022: Stray Ornithologies—Laia Estruch, 3 Oct 2022
- Cover Story, September 2022: The means of print production: Erick Beltrán and lumbung press, 1 September 2022
- Cover Story, July–August 2022: Incidents (of Travel) from Seoul, 1 July 2022
2023, Bombas Gens, cover story, Frieze, Max Andrews, review, Valencia, writing
Sat, Apr 21 2007Reseña de la Sharjah Biennial 8 por Ángela Molina publicado en el suplemento
Babelia de
El País: ‘
Una mentira cómoda’, 21 Abril 2007, pp.16-17.
2007, review, Reviews, Sharjah Biennial 8, symposium, United Arab Emirates, Ángela Molina