Cover Story—June 2018: Near-Future Artworlds Curatorial Disruption Foresight Group
Mon, Jun 4 2018
"Sporadically convened by Latitudes, the Near-Future Artworlds Curatorial Disruption Foresight Group is a forum for informal dialogue about megatrends and the future of contemporary art institutions.
In order to be conducive to freedom of interaction, this by-invitation, closed-door meetings have been held under the Chatham House Rule. The list of attendees is not circulated beyond those participating in the meeting, and no documentation is made."
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—> After June it will be archived here.
Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial activities.
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Tutors of the 2015 International Curatorial Retreat, 9–13 May, Bari (Italy)
Sun, May 17 2015
Introduction to the four-day workshop by Tara McDowell, director of the Curatorial Practice PhD. Program at MADA (Monash School of Art Design and Architecture), Melbourne.
Organised by Vessel in collaboration with the Curatorial Practice PhD Program at MADA (Monash School of Art Design and Architecture) in Melbourne – which a year ago co-hosted our Melbourne residency as part of Gertrude Contemporary's Visiting Curatorial Program – the retreat brings together participants and tutors in an intense mobile four-day format.
The 2015 International Curatorial Retreat (9–13 May) focused on issues which have gained urgency within contemporary curatorial practice under the conditions of globalization, in particular, the process of writing when related to the ‘epistemologies of the South’ – a term adopted from Portuguese sociologist Boaventura de Sousa Santos.
As a member of the team of tutors of the retreat, Latitudes presented two of its recent editorial projects (The Last Newspaper and Incidents of Travel in Mexico and Hong Kong) and led an afternoon workshop titled “Near Future Artworlds Curatorial Foresight Disruption Group” that operated in the realm of "art-fiction", of desirable or dystopian prototypes, speculative objects and art world services, as well as imminent and real (to use the startup term) disruptions. A kind of near-future think tank and foresight group, the workshop imagined curatorial-editorial prototypes and use-case scenarios.
Alexandra Ross presented http://www.continuous-curatorial-conversations.org/, a "compilation of supplementary histories which appropriately emphasizes the oral nature of curatorial practice".
Light display at the Piazza del Ferrarese during the Feste di San Nicola.
View from the Doppelgaenger Gallery in the old town area, the venue that hosted the seminars.
Photo: Piero Percoco
Tirdad Zolghadr during his workshop.
Photo: Piero Percoco.
Participants (via the open call): Rachel Dedman (1989, London, lives and works in Beirut; Curator-in-Residence, 98weeks, Beirut); Maya Mikelstone (1982, Latvia, lives and works in Paris/Latvia, independent curator); Jesse van Oosten (1986, Rotterdam, lives and works in Rotterdam, Associate Curator, TENT Rotterdam); Heidi Rabben (1982, Laguna Beach, California, lives and works in San Francisco; Assistant Director, Kadist Art Foundation, San Francisco); Maayan Sheleff (1976, Tel-Aviv, lives and works in Tel-Aviv, independent curator); Eszter Szakács (1983, Mór, Hungary, lives and works in Budapest; curator and researcher at tranzit.hu, Budapest); Christel Vesters (1972, Oldebroek, The Netherlands, lives and works in Amsterdam; PhD candidate, School of Humanities, Royal College of Art in London).
Participants from the Curatorial Practice PhD at MADA, Melbourne: Léuli Eshraghi, Sarah Ann Farrar, Rosemary Forde, Melanie Oliver, Joel Stern and Holly Williams.
Tutors: Tara McDowell (Associate Professor and Director of Curatorial Practice at MADA); Dr Alexandra Ross (Postdoctoral fellow, Centre for Curating the Archive at Michaelis Art School, University of Cape Town); Tirdad Zolghadr (Curator and writer currently affiliated with Al Quds Bard College and the International Academy of Art, Ramallah); Fucking Good Art (travelling artists’ magazine or editorial project for research in-and-through art); Vít Havránek (theoretician and organizer based in Prague, co-founder of Tranzitdisplay and Latitudes (independent Barcelona-based curatorial office).
Part of the group visited Monopoli for a workshop led by Rob and Nienke of Fucking Good Art.
Monopoli seafront.
Walking through the old city centre of Bari on the way to lunch.
Food shopping at the Mercato ex Manifattura Bari (former tobacco factory) in the Quartiere Libertà.
Dinner cooked by the International Curatorial Retreat's chef-in-residence Boris Portnoy.
(Above and below) 'Notes and Quotes' session led by Rob and Nienke of Fucking Good Art, a 'de-briefing' session that wrapped up the discussions by exchanging notes and quotes drawn from the previous few days.
Final remarks and feedback session. Photo: Piero Percoco.
RELATED CONTENT:
- Review of the 2015 VESSEL /MADA International Curatorial Retreat, by Dr Alexandra Ross, June 2015 Residents, Visiting Curator Program, Gertrude Contemporary, Melbourne, 12 May–7 June 2014.
- Lecture and seminar, MADA | Monash University of Art Design & Architecture, 14 May 2014 (6 May 2014)
- Lead Facilitators, Curating Lab 2014–Curatorial Intensive, National University of Singapore (11–14 June) 30 May 2014
- Latitudes' writing archive (essays, reviews, catalogue entries, etc. since 2005)
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This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos:Latitudes | www.lttds.org
Work is licensed under aCreative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos:Latitudes | www.lttds.org
Work is licensed under aCreative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.