Panorama in Madrid and Córdoba
Tue, Jun 14 2022Seven artists are currently exhibiting in Madrid or Córdoba with works produced, presented or derived from their original presentation in the group exhibition “Panorama 21. Apunts per a un incendi dels ulls” that took place at MACBA Museu d’Art Contemporani de Barcelona, between October 2021 and February 2022, curated by Hiuwai Chu and Latitudes.
Rosa Tharrats opened her first solo exhibition at Galería Ehrhardt Flórez in Madrid. Titled “Theta Wave” (until July 3, 2022) it presents a new installation made with her signature materials, including recycled textiles and clothes, bioplastics, sponges, nets or stones, and is complemented with a suite of framed drawings and a sculpture made with discarded marble pieces intersected with fabrics. The text accompanying Rosa’s exhibition is written by another Panorama participant, Gabriel Ventura, whose performative action and poem “Passió i cartografia per a un incendi dels ulls” titled the small book published as the colophon of the exhibition.
The next show at Galería Ehrhardt Flórez will be a solo by Panorama participant Laia Estruch, coinciding with Apertura Madrid Gallery Weekend that inaugurates the 2022–23 season.
View of Rosa Tharrats’ exhibition “Theta Wave” at Galería Ehrhardt Flórez, Madrid. Photos: Latitudes.
On the middle top of the Madrid installation, we recognised an orange bioplastic piece she was working on during our visit to her Cadaqués studio a year ago (see below).
Originally premiered in July 2021 at The Green Parrot, Adrian Schindler’s series of posters “The roles (notes for a film)” (2021–ongoing) is part of his ongoing research tracing Morocco’s colonial past in Spanish society, which culminates in his film trilogy “Tetuan, Tetuán, Tetwan”, whose first part was premièred at MACBA, and has been produced with the support of the Department de Cultura of the Generalitat de Catalunya, Casa de Velázquez and the Centre national des arts plastiques in Paris, with the collaboration of 2deo.
View of Adrian Schindler’s “The roles (notes for a film)”, 2021–ongoing. Poster series. Dimensions variable. Photo: Fondazione Sandretto Re Rebaudengo.
(Above and three below) Installation view of Adrian Schindler’s “Tetuan, Tetuán, تطوان” in the exhibition “Panorama 21. Apunts per a un incendi dels ulls” at MACBA Museu d'Art Contemporani de Barcelona, October 2021–February 2022. Photos: Roberto Ruiz / MACBA.
Besides the installation “Constellation” (2021–ongoing) Arash Fayez presents “Anecdotes From the Elsewhere” a performance developed alongside “Anecdotes to be forgotten” which was presented in MACBA on December 9, 2021, alongside his works “Apolis” (2014-18/2021) and “Limbo” (2018-2021).
Arash Fayez during his performance “Anecdotes to be forgotten” on December 9, 2021, for the exhibition “Panorama 21. Apunts per a un incendi dels ulls” at MACBA Museu d'Art Contemporani de Barcelona, October 2021–February 2022. Photo: Latitudes.
(Above and two below) View of Arash Fayez’s “Apolis” (2014-18/2021) and “Limbo” (2018-2021) in the exhibition “Panorama 21. Apunts per a un incendi dels ulls” at MACBA Museu d'Art Contemporani de Barcelona, October 2021–February 2022. Photo: Roberto Ruiz / MACBA.
Laia Estruch presents “Mixtape” (2022) and the performance “Improvisation #1” in “Si las palabras hablaran”, Madrid. She recently performed “Ocells perduts V67” in Sotos de la Albolafia, Córdoba, as part of “The Journeying Stream” (3–5 June 2022), a three-day event jointly convened by TBA21 Thyssen-Bornemisza Art Contemporary and TBA21–Academy. The Córdoba performance derived from “Ocells perduts” (2021) commissioned for MACBA’s exhibition and produced with the support of PUBLICS, Helsinki.
(Above and three below) Laia Estruch performing “Ocells perduts V67” in Sotos de la Albolafia, Córdoba, 5 June 2022, as part of “The Journeying Stream” (3–5 June 2022), a three-day event jointly convened by TBA21 Thyssen-Bornemisza Art Contemporary and TBA21–Academy. Photos: Fernando Sendra | TBA21.
(Above and two below) View of Laia Estruch’s “Ocells Perduts” (2021) in the exhibition “Panorama 21. Apunts per a un incendi dels ulls” at MACBA Museu d'Art Contemporani de Barcelona, October 2021–February 2022. Photos: Roberto Ruiz / MACBA.
Claudia Pagès just opened the solo show “Abajo el puerto suena nino-nino, y yo arriba pipí” at The RYDER in Madrid, where the centrepiece is the video installation “Gerundio Circular” (2021), a 14-minute, 360º film presented on a circular LED screen which was commissioned for “Panorama 21. Apunts per a un incendi dels ulls” and co-produced with ELAMOR. On view until July 30, 2022.
(Above) View of Claudia Pagès’s “Gerundi Circular” (2021) in the exhibition “Panorama 21. Apunts per a un incendi dels ulls” at MACBA Museu d'Art Contemporani de Barcelona, October 2021–February 2022. Photo: Miquel Coll / MACBA.
(Above and below) View of Claudia Pagès’s “Gerundi Circular” (2021) in the exhibition “Panorama 21. Apunts per a un incendi dels ulls” at MACBA Museu d'Art Contemporani de Barcelona, October 2021–February 2022. Photos: Roberto Ruiz/MACBA.
(Above and seven below) Installation views of Claudia Pagès’s exhibition “Abajo el puerto suena nino-nino, y yo arriba pipí” at The RYDER, Madrid, 9 June–30 July 2022. Photos: Pablo Gomez-Ogando.
Aleix Plademunt’s “Matter”, his most comprehensive solo show to date, is on view until July 24, 2022, at Sala Canal Isabel II as part of PHotoEspaña 2022. As Elena Vozmediano noted in her review, a selection of 18 large prints were originally premiered in MACBA’s exhibition “Panorama 21. Apunts per a un incendi dels ulls”.
(Above and below) Installation view of Aleix Plademunt’s “Matter” (2013–2021) in the exhibition “Panorama 21. Apunts per a un incendi dels ulls” at MACBA Museu d'Art Contemporani de Barcelona, October 2021–February 2022. Photo: Aleix Plademunt (above) and Roberto Ruiz (below).
(Above and five below) Installation view of Aleix Plademunt’s “Matter” in the exhibition “Matter” at Sala Canal Isabel II, Madrid, 2022. Photos: Aleix Plademunt.
Aleix Plademunt (Ed.) “Matter” co-published by Ca l’Isidret and Spector Books, May 2022, ISBN 978-84-121090-6-1. Photos: Aleix Plademunt.
RELATED CONTENT:
- Cover Story, April 2022: Mix & Match: Laia Estruch at PUBLICS, 1 Apr 2022
- Nueva publicación: “Passió i cartografia per a un incendi dels ulls” (MACBA, 2022), 2 Mar 2022
- Cover Story, March 2022: The passion of Gabriel Ventura, 1 March 2022
- Cobertura en los medios sobre la exposición ‘’Panorama 21. Apunts per a un incendi dels ulls” en el MACBA, 21 Feb 2022
- Cover Story, February 2022: Rosa Tharrats’ Textile Alchemy, 1 Feb 2022
- Cover Story, January 2022: “Rasmus’ Doubts”, 2 Jan 2022
- Cover Story, December 2021: Between Meier and Meller: Toni and Pau at the Teatre Arnau, 1 Dec 2021
- Programa público de “Apuntes para un incendio de los ojos”, MACBA, hasta el 27 febrero 2022, 15 Nov 2021
- Cover Story, November 2021: Notes for an Eye Fire, 2 Nov 2021
- Opening of the exhibition "Notes for an Eye Fire" at MACBA, 21 Oct 2021
- Latitudes’ "out of office" 2020-21 season, 2 August 2021
- Cover Story–July 2021: a wide view from a fixed point, 2 Jul 2021
- Press Release: Co-curators of the exhibition “Panorama 21: Notes For An Eye Fire”, Museu d'Art Contemporani de Barcelona, 22 October 2021–27 February 2022, 9 Feb 2021
Latitudes’ "out of office": wrap up of the 2020-21 season
Mon, Aug 2 2021
‘Keep the faith’ banner hanging at the entrance of La Escocesa studio facilities. All photos by Latitudes (unless otherwise noted in the photo caption).
This end of the season post is the thirteenth of the series – see 2008-9, 2009-10, 2010-11, 2011-12, 2012–13, 2013–14, 2014–15, 2015–16, 2016–17, 2017–18, 2018–19, 2019–20 posts. Unlike past years, there was no clear beginning to the 2020–21 season. As many of us experienced, the pandemic put our work and life plans on hold, at worst cancelled. August is usually a strange month for freelancers (at least in our sector and in these southern latitudes), as nothing much happens work-wise. Yet it can be a blessing if one has other activities to push through, such as writing or research, as hardly any work e-mails come into the inbox – even e-flux’s periodicity is reduced!— but it’s also a fearful period for income.
We have been lucky to be able to work throughout this year on two group exhibitions: ‘Things Things Say’ at the Centre d'Art Contemporani de Barcelona Fabra i Coats (October 2020–January 2021) and the forthcoming ‘Notes for an Eye Fire’ at Museu d'Art Contemporani de Barcelona (MACBA) opening October 21, 2021, which has not only kept us afloat but also made it possible for us to work within our immediate context in times when travel has not been possible or even desired. Here's our 2020-21 from behind the scenes:
5 August 2020: Max’s (Contributing editor, frieze magazine since 2015) review of Daniel G. Andújar show at La Virreina coincided with the new launch of frieze redesigned website.
13 August 2020: Eulàlia Rovira sends us a view of the improvised recording studio she managed to set up at home in order to become the voice of the exhibition ‘Things Things Say’. We are deeply thankful to her for her flexibility and endurance in recording our texts in three languages deep in the summer heat and in the small hours of the night to avoid neighbourhood noises. #ThingsThingsSay
31 August 2020: Between June and December 2020, Max was Editor of Season 01 of st_age and TBA21’s social media. Pictured a "new normality" Zoom with the TBA21 team across Madrid and Vienna offices, plus team members in Prague, London, Ibiza, Barcelona, etc.
7 September 2020: After months of communicating by phone and email with Pere Fernàndez Bori, president of the Friends of Fabra i Coats, we were finally able to meet IRL as he showed us around the association offices and archives. We are very thankful to Pere and the Friends of Fabra i Coats for their time and willingness to lend us materials for the exhibition at the Fabra i Coats: Contemporary Art Center of Barcelona.
7 September 2020: First meeting with Rasmus Nilausen in the museum galleries. #PanoramaMACBA
15 September 2020: Conversation between Lola Lasurt and Rosa Maria Subirana Torrent, moderated by Ángel Calvo Ulloa, as part of Lasurt’s solo exhibition ‘Children's Games’ at La Capella. The conversation focused on Subirana’s meticulous inventory of the holdings of the first collections of contemporary art donated to the city as coordinator of Miró Year, which included the organisation of Joan Miró’s 1968 retrospective on the grounds of the former Hospital de la Santa Creu, the current venue of La Capella. Video here (Catalan and Spanish). Lasurt’s project was tutored by Latitudes as part of the 2020–21 season of Barcelona Producció.
23 September 2020: Self-timer selfie during our first studio visit with Marria Pratts in L’Hospitalet. #PanoramaMACBA
24 September 2020: As a culmination of Lasurt’s solo exhibition ‘Children’s Games’ at La Capella, and as part of Jordi Ferreiro’s mediation programme Exedra εξέδρα, Lasurt offered to paint a “transitional object” and to display it in a balcony of a neighbour of the Ciutat Vella district. In this case, the transitional object is a train from the cartoon series ‘A Little Engine That Could’ (1991) that Meritxell used to watch on VHS with her grandparents as a child.
Photos: Eva Carasol.
28 September 2020: New episode of Incidents (of Travel) from Cabo Rojo, Puerto Rico went live! In the latest ‘Incidents (of Travel)’ dispatch from Cabo Rojo, in the southwestern corner of Puerto Rico, and on week 23 of lockdown, Sofía Gallisá and Marina Reyes begin a day together by driving to the Cabo Rojo Salt Flats where Sofía researched her film ‘Assimilate & Destroy I’ (2018).
Incidents (of Travel) is an online project produced by KADIST that explores different corners of the world through chartered day-long travel itineraries as a form of artistic encounters and an extended conversation between a curator and an artist. #IncidentsofTravel
29 September 2020: First video call with El Palomar (Mariokissme and R. Marcos Mota). #PanoramaMACBA
1 October 2020: Beginning of installation of ‘Things Things Say’. Arrival of the works by Stuart Whipps, Sarah Ortmeyer and Annette Kelm at Fabra i Coats. Arterri team transported the pieces from Berlin, Dunkerque and Birmingham to the art centre and were assisted by JBM Muntatges i produccions crew on-site to accommodate the works in the exhibition space.
A socially distant download of Stuart Whipps's car.
JBM Muntatges i produccions crew constructing walls.
Painting by J. Roscolor.
(↑↓ Above and two below) Wall texts and vinyl production by DPR Producció i Exposicions.
17 October 2020: New restrictions against the spread of COVID-19 begin – bars and restaurants would end up closing for a month. The exhibition doors opened with little fanfare at Fabra i Coats although we were grateful that some familiar faces come to join us on this sunny autumn day.
With curators Veronica Valentini, Andrea Rodriguez and Anna Manubens (curator of Wendelien van Oldenborgh's exhibition on the first and second floor).
19 October 2021: Max’s (Contributing editor, frieze magazine since 2015) review of Eulàlia Rovira’s exhibition ‘Esmorteir l'esmorteït’ at EtHALL, L’Hospitalet de Llobregat (Barcelona) publishes on frieze online.
21 October 2020: 365 days left to open Panorama at MACBA. Co-curators are already in sync! #PanoramaMACBA
Hiuwai and Mariana taking a break after two Zoom conversations.
26 October 2020: Video call with Laia Estruch and MACBA’s Eva Font, Hiuwai Chu. #PanoramaMACBA
30 October 2020: New restrictions apply in Catalonia against the spread of COVID-19 provoking the cancellation of all the activities programmed for ‘Things Things Say’, most importantly the one-time screening of Adrià Julià’s ‘Popcorn’ (2012) at Zumzeig Cinema on November 6 – finally able to be rescheduled and screened on January 8, 2021. Guided tours planned for La Nit dels Museus on November 14 (as well as tours planned for November 25, rescheduled for December 9), all have been cancelled, as well as the weekend free tours of the exhibitions at Fabra i Coats: Contemporary Art Centre of Barcelona.
Adrià Julià, ‘Popcorn’ [Palomita], (2012). Vídeo HD, color, sonido. 90 min. Cortesía del artista.
13 November 2020: Continuing with online conversation-studio visits, this time with Arash Fayez. #PanoramaMACBA
23 November 2020: Site visit of Laia Estruch to MACBA to discuss options for her sculptural intervention for Panorama 21. #PanoramaMACBA
24 November 2020: Second round of photo documentation of the exhibition ‘Things Things Say’ / ‘Cosas que las cosas dicen’ / ‘Coses que les coses diuen’ at Fabra i Coats: Centre d'Art Contemporani de Barcelona, with photographer Eva Carasol.
→ Photo documentation of the show.
26 November–8 December 2020: One more year, we collaborate with DART Festival 2020 as jury members awarding the best national and international documentary: ‘Tierras construídas’ by Arturo Dueñas (España, 2019. 81 min. Castellano) and ‘The Proposal’ by Jill Magid (México, 2019. 82 min. Inglés). We are accompanied by film critic Quim Casas, and visual artist Jordi Colomer.
1 December 2020: Visiting Stella Rahola’s studio at Piramidón, with fantastic views over the city. #PanoramaMACBA
Photo: Eulàlia Rovira.
7 December 2020: Follow-up meeting with Arash Fayez at the museum. #PanoramaMACBA
10 December 2020: Recording a guided visit of the exhibition ‘Things Things Say’ on view at Fabra i Coats: Centre d'Art Contemporani de Barcelona as a proxy to the three cancelled guided visits of the show.
Photo: Mónica López.
21 December 2020: Meeting with Toni Hervàs to discuss his ongoing research around Paral·lel. #PanoramaMACBA
22 December 2020: New episode of Incidents (of Travel) from Singapore, following a tour set up by artists Fyerool Darma and Nurul Huda Rashid, and a report by curator Kathleen Ditzig. Incidents (of Travel) is an online project produced by KADIST that explores different corners of the world through chartered day-long travel itineraries as a form of artistic encounters and an extended conversation between a curator and an artist.
Read → incidents.kadist.org
2 January 2021: Always great to visit Rasmus Nilausen’s studio in L’Hospitalet and smell fresh oil paint.
#PanoramaMACBA
8 January 2021: Screening and Q&A of Adrià Julià’s feature film ‘Popcorn’ (2012 90') at cinema Zumzeig, part of the exhibition ‘Things Things Say’ ending on January 17, 2021.
9 January 2021: Catching up with Hiuwai in the metro on our way back from Fabra i Coats Centre d’Art Contemporani. #PanoramaMACBA
17 January 2021: ‘Things Things Say’ ends today. Lots of Instagram stories over the last week from visitors. Check social networks archive. Weeks after we learn that 1926 people visited the exhibition over the past three months which, considering pandemic restrictions, is great news. #ThingsThingsSay
18 January 2021: Dismantling of ‘Things Things Say’ exhibition. Always sad to say goodbye to works that have been so present in our minds over the last months. It is unavoidable to think about what remains of a show once it’s gone. In times of COVID-19, this feeling is intensified as fewer people might have had the opportunity to visit, regardless of the circumstances. #ThingsThingsSay
JBM Muntatges i produccions crew and Bea Montoliu (conservation) wrapping up the furniture loaned to form Haegue Yang's piece ‘VIP’s Union’ (2001-2020).
Lifting up the protective glass on Stuart Whipps’s table.
19 January 2021: Videoconference with Antoni Hervàs to talk about his contribution to Panorama 21. #PanoramaMACBA
21 January 2021: Video call with Rosa Tharrats to discuss details of her forthcoming installation at the museum. Around this date, Gabriel Ventura and the editorial Documents Documenta, kindly agreed to give us permission to borrow the title of their latest publication for the Panorama series: ‘Notes for an Eye Fire’, for which we are very grateful. #PanoramaMACBA
22 January 2021: Ruta de Autor tell us to meet nearby the Torre de les Aigües del Besòs, a water deposit built in 1882 by Pere Falqués and offering stunning panoramic views over the city – and a Blinky Palermo piece Himmelsrichtungen in the entrance space. The tower is the headquarters of the Arxiu Històric de Poblenou. #PanoramaMACBA
25 January 2021: Visiting the Centre d’Estudis i Documentació (CED) with Eulàlia Rovira, looking at maps, project proposals and photos of how MACBA was envisioned and ultimately built in the late 80s and early 90s. #PanoramaMACBA
Photo: Hiuwai Chu
Suitable photo albums from the former Panorama photo lab around town.
26 January 2021: Site visit with Claudia Pagès to MACBA to discuss her forthcoming participation in ‘Panorama 21: Apunts per a un incendi dels ulls’ (Notes for an Eye Fire). #PanoramaMACBA
27 January 2021: Once ‘Things Things Say’ is over and the galleries are empty once again. Eulàlia Rovira films ‘A Knot Which is Knot’ (2020-21), her contribution to the recently closed exhibition based on research done throughout the exhibition period, which will premiered a few days later, on February 15.
Photo: Eulàlia Rovira
29 January 2021: Online meeting with Bendita Gloria to go through the materials of the forthcoming publication of ‘Things Things Say’, the exhibition that just ended a few days ago at Fabra i Coats.
1 February 2021: Consecutive meetings with Toni Hervàs, Aleix Plademunt and Marria Pratts to discuss their projects on-site, alongside Eva Font (architecture department) and Berta Cervantes (Exhibition, Project Assistant). #PanoramaMACBA
9 February 2021: Live streamed press conference announcing the 2021–22 season of the Museu d'Art Contemporani de Barcelona (MACBA). ‘Panorama 21. Apunts per a un incendi dels ulls’ is finally public. #PanoramaMACBA
→ Archive of social media posts.
12 February 2021: Panorama 21 “wefie” after a meeting with Rasmus Nilausen in Gràcia. #PanoramaMACBA
15 February 2021: Eulàlia Rovira’s video ‘A Knot Which is Knot’, 2020 (video, 12min 21 sec, audio in Catalan) is premièred on Fabra i Coats’ YouTube channel. ‘A Knot Which is Knot’ is the result of an investigation that began with the opening ‘Things Things Say’ (Fabra i Coats: Contemporary Art Center of Barcelona, 17 October 2020-17 January 2021), an exhibition curated by Latitudes, which is made public once it has closed and the exhibition galleries are once again empty.
→ Ver vídeo (12' 21'', audio in Catalan)
16 February 2021: First tech checks in the exhibition galleries with Rafa Marcos of El Palomar and MACBA’s A/V technician Miquel Giner, followed by a group meeting with Claudia Pagès to go catch up on her project.
#PanoramaMACBA
19 February 2021: Opening of Lara Almarcegui’s exhibition ‘Graves’ (Gravel) at the Centre d'Art La Panera in Lleida (on view until 30 May 2021). As part of the opening day events, Lara invited visitors to experience the quarry operated by Sorigué in La Plana del Corb, which stopped its operations for a day.
Latitudes contributed a text on her new installation and on March 18 at 6:30pm, participated in a round table online discussion with the artist and Juan Guardiola. Due to mobility restrictions between municipalities, we couldn’t attend the opening.
View of Lara Almarcegui’s exhibition ‘Graves’ (Gravel) at the Centre d'Art La Panera in Lleida. Photo: Jordi V. Pou.
22 February 2021: Video call catch-up with Adrian Schindler (currently in residency at Casa Velázquez in Madrid until June 2021) to discuss his production for Panorama 21, followed by an in-person studio visit with Arash Fayez in Raval. #PanoramaMACBA
Trying to figure out the volume of works in the exhibition space.
2 March 2021: Running some tests of Aleix Plademunt’s work in the exhibition space while it’s empty between shows. #PanoramaMACBA
3 March 2021: Check-in meeting with Eulàlia Rovira on her ongoing research for her Panorama 21 contribution followed by a site visit by Stella Rahola to check natural light. #PanoramaMACBA
8 Març 2021: Laia Estruch visit to discuss the production of her work in the middle of the installation of Felix Gonzalez-Torres show. #PanoramaMACBA
13 March 2021: First trip outside the city in exactly a year (tomorrow is the first anniversary of the declaration of the first state of alarm in Spain). Invited by the Centre d’Art La Panera in Lleida, we were able to attend the opening of David Bestué’s ‘Pastoral’ solo exhibition and Lara Almarcegui’s ‘Graves’ (for which we recently contributed the text of the exhibition). Forthcoming a frieze review of the exhibition by Max in the September 2021 issue.
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| (Above and below) Lara Almarcegui, ‘Gravera’ (2021), vídeo, 10 min. Cámara: Daniel Lacasa; y ‘Rocas y materiales de la Cordillera de los Pirineos’ (2021). Cortesía de la artista. |
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| (Above and below) Installation view of David Bestué’s ‘Pastoral’ at the Centre d'Art la Panera, Lleida. |
18 March 2021: Online conversation with Lara Almarcegui and Juan Guardiola on the occasion of Almarcegui’s solo show ‘Graves’ at Centre d’Art La Panera in Lleida.
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| During the conversation with Lara Almarcegui. 23 March 2021: Catch up with a provider for Laia Estruch’s installation and discussion of Panorama’s identity with graphic designer and ‘Panorama 21’ participant, Ana Domínguez. #PanoramaMACBA   29 March 2021: Morning meeting with Rasmus Nilausen and pm meeting with Gabriel Ventura and Rosa Tharrats to discuss the progress of their respective contributions for Panorama 21, titled after Gabriel’s latest book poem ‘Apunts per a un incendi dels ulls’ (Notes for an Eye Fire). #PanoramaMACBA   7, 14, 21 and 28 April 2021: Four reading groups are programmed this month as part of Adrian Schindler’s project to be presented as part of MACBA's inaugural Panorama exhibition in October 2021. These open-format groups constituted the last step before the production of his film Tetuan, Tetuán, تطوان , the first chapter of which will be shot in Barcelona in late Spring 2021. The reading group “A quienes la inspiraron y no la leerán: Goytisolo, Marruecos y el Otro” (To those who inspired it and will not read it: Goytisolo, Morocco and the Other) proposes a critical approach to the theoretical and fictional work of Spanish writer Juan Goytisolo (1931–2017), influenced by Morocco. Contrasting his ambition to deconstruct the islamophobic literary tradition with the fantasies that inhabit his novels, we will address issues such as the construction of the image of the Other in Spain, the ghosts of the colonial project and the tensions inherent to decolonial works developed by white cultural agents. Participants read excerpts from the novels Reivindicación del conde Don Julián (1970), Juan sin tierra (1975) and Makbara (1980), as well as from the essay collection Crónicas Sarracinas (1981). The sessions were carried out with Salma Amzian, Núria Gómez Gabriel and iki yos piña narváez funes, who contributed to examining Goytisolo’s contradictions and potentialities through other literatures and epistemologies. The meetings took place in the Parc de la Ciutadella, near a colonial monument and an orientalist sculpture. #PanoramaMACBA   2 April 2021: Video call with Claudia Pagès to check in the development of her project while at the Rijksakademie in Amsterdam. #PanoramaMACBA  7 April 2021: MACBA’s 2021-22 exhibition programme is up. Just over 6 months to the opening. #PanoramaMACBA  9 Abril 2021: Catch up meetings with Ruta de Autor and Nyamnyam (from Montpellier). #PanoramaMACBA   12 April 2021: Publications meeting with Ana Domínguez. #PanoramaMACBA  13 April 2021: Meeting with Adrian Schindler at the museum’s offices to discuss the production of his work for MACBA’s ‘Panorama’. #PanoramaMACBA  15 April 2021: Monthly catch-up with the communication department with dazzling spreadsheets, followed by a visit to Stella Rahola Matutes's project at the Mies van der Rohe Pavilion. Curators’ outfits merging – too many hours together ;-) #PanoramaMACBA   22 April 2021: Design briefing with MACBA’s communication team, Marta Reus and Carla Ventosa, and Panorama 21 designers Ana Domínguez and Lara Coromina, about the exhibition. #PanoramaMACBA  |
30 April 2021: Meet with Arash Fayez and walk through the museum galleries with Ana Domínguez and Lara Coromina, designers of the first edition of MACBA’s Panorama.
#PanoramaMACBA
Photo: Hiuwai Chu
7 May 2021: Balcony break in between meetings with Eulàlia Rovira and Ruta de Autor. #PanoramaMACBA
Photo: Hiuwai Chu
8 May 2021: Presentation of Agustín Ortiz Herrera’s research ‘To name, to own. Critique of taxonomic practice’ project and publication at the Gabinet Salvador (Institut Botànic de Barcelona), one of the best-preserved examples of a cabinet of curiosities. Agustín’s research is one of the three projects Latitudes mentored throughout 2019–20 as part of the Barcelona Producció season at La Capella.
Representation of the cabinet of curiosities by the Danish naturalist and antiquarian Ole Worm in 1655. Salvador Library, Botanical Institute of Barcelona.
11 May 2021: Recording the teaser to be launched with the announcement of the participants in the inaugural Panorama exhibition. #PanoramaMACBA
12 May 2021: Review of David Bestué’s exhibition ‘Pastoral’ at the Centre d’Art la Panera, Lleida, published online at frieze.com
12 May 2021: Visiting Ana Dominguez studio and lunch with her and Lara Coromina to discuss the elements of the exhibition graphics. #PanoramaMACBA
Some artist portraits for the exhibition website.
17 May 2021: Jitsi catch up with nyamnyam (Iñaki Álvarez and Ariadna Rodríguez) and Pedro Pineda. #PanoramaMACBA
20 May 2021: Catch up with Eulàlia Rovira at the museum. #PanoramaMACBA
22 May 2021: Laia Estruch rehearsing at El Graner. #PanoramaMACBA
Foto: Hiuwai Chu.
28 May 2021: Catch up with Ruta de Autor at the museum. #PanoramaMACBA
Photo: Hiuwai Chu.
1 June 2021: Work meeting at Rasmus Nilausen’s studio in L’Hospitalet. #PanoramaMACBA
4 June 2021: Final presentation of the graphic image of Panorama 21 by Studio Ana Dominguez. #PanoramaMACBA
7 June 2021: Meeting at TMDC in La Verneda with Pedro Pineda and nyamnyam (Ariadna Rodríguez & Iñaki Álvarez). #PanoramaMACBA
Photo: Hiuwai Chu.
8 June 2021: Visiting Rosa Tharrats and Gabriel Ventura in Cadaqués and visit Rosa’s two-person exhibition in the Museu de l’Empordà, Figueres. #PanoramaMACBA
View of the two-person exhibition ‘Tura Sanglas/ Rosa Tharrats: Un diàleg artistic. Subjectivitat de la material, poètica de l’objecte’, curated by Laura Cornejo at Museu de l’Empordà.
‘Les babes de la molsa’ (2020) by Rosa Tharrats.
‘Els ancestres de les anênomes’ (2020) by Rosa Tharrats.
Photo: Ivo Wald.
Photo: Ivo Wald.
Meetings by the shore.
10 June 2021: Visiting Marria Pratts’ studio L’Hospitalet. #PanoramaMACBA
18 June 2021: Round of meetings with nyamnyam followed by Ruta de Autor and Stella Rahola at the museum. #PanoramaMACBA
22 June 2021: Adrian Schindler filming Tetuan, Tetuán, تطوان at Plaça Tetuan. Schindler's project will be presented as part of MACBA’s inaugural Panorama exhibition in October 2021. #PanoramaMACBA
1 July 2021: Announcement of ‘Notes for an Eye Fire’ participants, launch of the web with the graphic image of the Panorama exhibition series: Ana Domínguez, El Palomar (Mariokissme & R. Marcos Mota), Laia Estruch, Arash Fayez, Antoni Hervàs, Rasmus Nilausen, nyamnyam (Ariadna Rodríguez & Iñaki Álvarez) with Pedro Pineda, Claudia Pagès, Aleix Plademunt, Marria Pratts, Stella Rahola Matutes, Eulàlia Rovira, Ruta de autor (Aymara Arreaza R. & Lorena Bou Linhares), Adrian Schindler, Rosa Tharrats, Gabriel Ventura, and Marc Vives. #PanoramaMACBA
6 July 2021: Online catch-up with public programmes Tonina Cerdà and Alicia Escobio. #PanoramaMACBA
Carlos Cruz-Diez at Galería Cayón, Maó.
17 July 2021: Rough cut screening of Adrian Schindler’s filmTetuan, Tetuán, تطوان to be premiered as part of MACBA’s inaugural Panorama exhibition in October 2021. #PanoramaMACBA
Photo: Hiuwai Chu.
26 July 2021: Visiting Toni Hervàs at La Escocesa alongside MACBA’s team Alex Castro, Eva Font and Berta Cervantes (conservation, architecture and coordination). #PanoramaMACBA
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Cover Story—October 2018: "I can’t take my eyes off you: Eulàlia Rovira and Adrian Schindler"
Mon, Oct 1 2018
The October 2018 Monthly Cover Story "I can’t take my eyes off you: Eulàlia Rovira and Adrian Schindler" is now up on Latitudes' homepage: www.lttds.org
"Eulàlia Rovira and Adrian Schindler’s new performance, "One motif says to the other: I can’t take my eyes off you" took place on 14th September as part of the Latitudes-curated Cream cheese and pretty ribbons! at Galerie Martin Janda, Vienna, an exhibition that also features the talents of David Bestué, Sean Lynch, and Batia Suter. The exclamatory title of the exhibition (which continues until 13 October as part of the curated_by festival synthesises two of the satirist Karl Kraus’s similes for what, writing in 1910, he considered the cultural polarity of monotonous functionality on the one hand and frivolous adornment on the other. Kraus lampooned both the sobriety of Germanic culture and the good taste of Romance culture, yet judged an even greater taboo was to be found in Vienna’s dressing up of the former with the latter."
—> Continue reading
—> After October it will be archived here.
Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial activities.
RELATED CONTENT:
RELATED CONTENT:
- Archive of Monthly Cover Stories
- Performance “One motif says to the other: I can’t take my eyes off you” by Eulàlia Rovira and Adrian Schindler in the exhibition ‘Cream cheese and pretty ribbons!’, 17 September 2018
- Cover Story–September 2018: Harald Szeemann’s travel sculpture, 10 September 2018
- Cover Story–August 2018: Askeaton Joyride, 2 August 2018
- Cover Story–July 2018: No Burgers for Sale 2 July 2018
- Save the date: 13 September, 6–9pm. Latitudes-curated exhibition ‘Cream cheese and pretty ribbons!’, Galerie Martin Janda, Vienna, 21 June 2018
- Cover Story—June 2018: Near-Future Artworlds Curatorial Disruption Foresight Group, 4 June 2018
- Cover Story – May 2018: Shadowing Roman Ondák, 7 May 2018
Performance “One motif says to the other: I can’t take my eyes off you” by Eulàlia Rovira and Adrian Schindler in the exhibition ‘Cream cheese and pretty ribbons!’
Mon, Sep 17 2018 |
| All photos: Latitudes. |
On September 14, Eulàlia Rovira and Adrian Schindler presented the performance ‘One Motif Says to the Other: I Can’t Take My Eyes Off You’ in the context of the exhibition ‘Cream Cheese and Pretty Ribbons!’, curated by Latitudes at Galerie Martin Janda in Vienna.
The new performance comprised a series of sartorial compositions, music clips, and readings from memory that were inspired by the belts, buckles, chains, harnesses, and tassels that appear on luxury silk scarf designs by brands such as Hermès, as well as the vogue for tattoos appropriating tribal patterns. A companion series of five photographic prints are derived from the intertwining designs of the latter textiles.
Rovira and Schindler also present another work in the exhibition. "The Feet Fixed to the Ground Betray no Impatience" (2016) features a camera-phone film based around a Barcelona park bench, as well as its sculptural reproduction. This model of street furniture is known as the ‘Romantic double’, and it inspires a narrative and a sequence of gestures that evoke the masterplans that opened up cramped European cities in the 19th century as well as ongoing impulses to organise public space and orchestrate the gaze.
Eulàlia Rovira & Adrian Schindler, born 1985 & 1989, live in Barcelona.
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The exhibition ‘Cream cheese and pretty ribbons!’ brings together works by David Bestué, Sean Lynch, Eulàlia Rovira & Adrian Schindler, and Batia Suter to reflect on the apparent dichotomy between the utilitarian versus the functional, and the artful, refined, decorative, adorned, of good taste. The artworks in the exhibition have managed to find a way to escape this apparent dichotomy in how they treat form and content, using wit and storytelling, and engaging with seemingly mundane things in a magical way.
‘Cream cheese and pretty ribbons!’ is part of the curated_by Vienna Gallery Festival inviting international curators. In 2018 the festival examines Vienna's systems and contradictions, life between the baroque and present times.
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‘Cream cheese and pretty ribbons!’ is part of the curated_by Vienna Gallery Festival inviting international curators. In 2018 the festival examines Vienna's systems and contradictions, life between the baroque and present times.
+ info
Share:
#CreamCheeseAndPrettyRibbons
#CuratedbyVienna
RELATED CONTENT:
- Save the date: 13 September, 6–9pm. Latitudes-curated exhibition ‘Cream cheese and pretty ribbons!’, Galerie Martin Janda, Vienna 21 June 2018
- David Bestué's installation "Luces" at Cosme Toda Factory, part of the Barcelona Gallery Weekend site-specific commissions programme Composiciones 2015 curated by Latitudes.
- Sean Lynch as Guest Faculty of Latitudes-led month-long seminar ‘Geologic Time’ at the Banff Centre, Canada.
- ‘Exposition Internationale des Arts Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne’, Meessen De Clercq, Brussels, Belgium, 25 February–16 April 2011.
- ‘Provenances: Erick Beltrán, Simon Fujiwara and Jordi Mitjà’, Umberto di Marino Arte Contemporaneo, Naples, Italy, 14 May–14 September 2009.
- ‘The Garden of Forking Paths’, Maisterravalbuena, Madrid, Spain, 28 May–31 July 2009.
- ‘Extraordinary Rendition’, NoguerasBlanchard, Barcelona, Spain, 22 March–19 May 2007.
Save the date: 13 September, 6–9pm. Latitudes-curated exhibition ‘Cream cheese and pretty ribbons!’, Galerie Martin Janda, Vienna
Thu, Jun 21 2018 |
| Sean Lynch, Still from “A Blow by Blow Account of Stonecarving in Oxford” (2013–14). Slide projection with voiceover (19’), stone carving, rubble, photographs, museum artefacts, printed matter. Courtesy of the artist. |
Kraus thought that what he saw as the specifically Viennese development of dressing up Germanic culture with decorative elements imported from Romance culture was a bullshit ornamentation of the utilitarian.
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| Eulàlia Rovira and Adrian Schindler, ‘The Feet Fixed to the Ground Betray No Impatience’ (Els peus fixats al terra delatant cap impaciència) (2016), installation view at Fireplace, Barcelona. Courtesy the artists. |
Opening on September 13, 6–9pm, at Galerie Martin Janda in Vienna (and on view until October 14), the exhibition ‘Cream cheese and pretty ribbons!’ curated by Latitudes brings together works by David Bestué, Sean Lynch, Eulàlia Rovira & Adrian Schindler, and Batia Suter to reflect on the apparent dichotomy between the utilitarian versus the functional, and the artful, refined, decorative, adorned, of good taste. The artworks in the exhibition have managed to find a way to escape this apparent dichotomy in how they treat form and content, using wit and storytelling, and engaging with seemingly mundane things in a magical way.
Given that Kraus conjures up a world of robust public debate, whether on the pages of newspapers or in the cafés, the exhibition space has been devised as a kind of uncanny street scene.
 |
| Façade of Galerie Martin Janda. Photo by Anna Konrath. |
+ info
#CreamCheeseAndPrettyRibbons
#CuratedbyVienna
RELATED CONTENT:
- David Bestué's installation "Luces" at Cosme Toda Factory, part of the Barcelona Gallery Weekend site-specific commissions programme Composiciones 2015 curated by Latitudes.
- Sean Lynch as Guest Faculty of Latitudes-led month-long seminar ‘Geologic Time’ at the Banff Centre, Canada.
- ‘Exposition Internationale des Arts Décoratifs et Industriels Modernes & des Arts et Techniques dans la Vie Moderne’, Meessen De Clercq, Brussels, Belgium, 25 February–16 April 2011.
- ‘Provenances: Erick Beltrán, Simon Fujiwara and Jordi Mitjà’, Umberto di Marino Arte Contemporaneo, Naples, Italy, 14 May–14 September 2009.
- ‘The Garden of Forking Paths’, Maisterravalbuena, Madrid, Spain, 28 May–31 July 2009.
- ‘Extraordinary Rendition’, NoguerasBlanchard, Barcelona, Spain, 22 March–19 May 2007.